Synopsis

In January 2026, as the winter winds whipped through the Jersey Shore, Ruth Stage returned to Asbury Park with a blazing follow-up to its celebrated Zoo Story. Inside the Jersey Shore Arts Center, the temperature rose as the Edward Albee Estate once again granted rare permission for Ruth Stage to present At Home at the Zoo; Albee’s expanded version of The Zoo Story, incorporating the haunting prequel Homelife. The complete evening begins in Peter’s Upper East Side apartment, where his brittle marriage to Anne fractures in a revealing and darkly intimate confrontation, before carrying him to Central Park for his fateful encounter with Jerry -  deepening the psychological stakes and exposing the quiet desperation simmering beneath domestic routine.

For this jam packed, three-night-only engagement, Christian Jules LeBlanc and Matt de Rogatis reprised their roles as Peter and Jerry, this time joined by ten-time Broadway veteran Nancy Lemenager, known for iconic productions such as Chicago, as Anne. Under the taut and incisive creative vision of director Theo Devaney, the performances were even more layered, volatile, and emotionally devastating than the summer run, with Asbury audiences riveted from the first line to the final silence. When the final bow landed, it was unmistakable: for all its New York triumphs, Ruth Stage had firmly planted its flag in the Asbury arts scene, proving its expansion was not a visit - but an arrival.

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As a published Albee scholar and the co-founder of the Edward Albee Society, I try to see every New York production of an Albee play and many of the regional theatre productions in the Northeast. This past January I saw a production of At Home at the Zoo in Asbury Park, New Jersey, and it was terrific! It starred Emmy Award winner Christian Le Blanc (Michael Baldwin in The Young and the Restless) as Peter, Nancy Lemenager (Broadway production of McNeal with Robert Downey Jr. and several musicals) as Ann, and Matt de Rogatis (creative director of Ruth Stage–the producing company–best known for his portrayal of Brick in the Off-Broadway premiere of Cat on a Hot Tin Roof and producer of AHATZ) as Jerry. I liked this production of AHATZ much better than the NYC premiere with Bill Pullman! All three actors gave moving performances, with de Rogartis giving Jerry a unique interpretation based on his own acting approach informed by his academic study of psychology. Le Blanc’s performance of Peter in Homelife made me realize that Albee was right: the character in The Zoo Story is too much of a one-dimensional representative of conformist, classist 1950s America, a strawman too easily knocked down. By fleshing Peter out, as Le Blanc expertly did with Albee's text, I understood why Peter is so passive (until the end) in The Zoo Story. Lemenager also made me like her character and this couple so much more than I did watching the NYC production. And just a quick set design note: I loved how the “couch” in Act One becomes the bench in Act Two. Nice symbolism! As a result of this well-acted and well-directed (Theo Devaney) production, I now consider At Home at the Zoo a major Albee work.

~ LINCOLN KONKLE, CO-FOUNDER - THE EDWARD ALBEE SOCIETY

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